Despite Excuses

This is my second full day back from the Despite Excuses Writing Retreat up near Fort Bragg, CA. I can still hear the sea if I close my eyes and listen hard enough.

It’s called Despite Excuses because we all have excuses not to write. We all have lives and responsibilities and day jobs and things. Despite Excuses is about writing even though Real Life happens, rather than waiting for Real Life to agree to leave us alone for a while. If we wait for that, we’ll be waiting a long time.

I don’t do well with roommates or housemates, but somehow I managed to get along with almost everybody in a ten-person house for a week. “No introvert-shaming” was a big rule and that helped a lot. If someone needed time to themselves, to write or nap or spend some time in nature, there was nothing wrong with that.

I tried out my Rejectomancy and Other Myths exercise on the group. This is a modification of my Rejectomancy presentation from a couple of years ago, expanded to include other myths and “truisms” about publishing. We had a nice mixed group of new writers and veterans, so the input was great and people learned a lot from it.

With a lot of teachers and parents in attendance, I also had the opportunity to crowdsource some ideas and inspiration for my YA novel-in-progress. I’m stuck at the point where kids experience the brunt of other kids’ meanness, and I’m out of touch with the techniques teens use to make each other’s lives miserable these days. We didn’t have mobile phones when I was in high school, so harassment has changed a lot since my day. We had to pass notes…uphill, both ways, in the snow, while fending off bears.

(Minor aside: I did see a mobile phone when I was in high school. It was a giant lunchbox with a brick of a handset attached to it. But it would be about fifteen years from that point until I had my own mobile phone. That phone was a brick of a handset, too, but it was a sleek brick, at least.)

I fell about 750 words short of my writing goal for the retreat, but toward the end I made the executive decision that spending time with people was more important than spending time writing; experiences are writing fodder, and I needed the inspiration more than the wordcount. I can make wordcount at home; I can’t stretch out on my back in a hot tub at home and gaze up at the Milky Way, oohing at the streaks of meteors across the sky.

In short, if you have a chance to drop everything, go to the coast, and write…take it. Despite excuses.

 

Revision Purgatory

Revision Purgatory is a much better place than Revision Hell. I’m fortunate to be working with an editor who has a great developmental eye and a lot of patience for “what if we…” emails, so I’m definitely not in hell. If I were in Revision Heaven, I could just wave my hand and say “Let it be done,” and lo, it would be all done. So I’m definitely not there, either. But Purgatory is a good place to be. It’s neutral, it’s not distracting, there are no loud parties. Just a few loud cats, but that’s my own fault.

The down side of working from home is that every afternoon my office mates start yelling at me about how hungry they are, several hours before the cafeteria opens for dinner. They also walk across my keyboard and try to rename my characters with their feet.

Anyway. I’m about two-thirds through the big, substantial edits on my Pathfinder novel. I still have to go back and brush up a few things, but I’m trying to focus on the big picture first. I’m pleased with the shape it’s taking. Zae, Keren, and Appleslayer are a lot of fun to write, and I’ve had enough of a break from this story that I can see it with fresh eyes now. I’ve written a whole separate novel since I turned this one in, and having that extra experience at this is also helping me now.

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This sign (on Route 580 in Oakland), is my measure of how deeply into this novel I am, in my own head. If I read this out of the corner of my eye as “Zae and Coliseum” as I’m driving past, I know I’m thinking about the story.

There’s not much to say from Revision Purgatory. It’s hard to update when my updates would essentially be things like “this scene you know nothing about? it now happens after this other scene you know nothing about, and I have to find another reason for them to be doing the thing I can’t tell you so that this other thing I don’t want to spoil can happen.”

I took yesterday off to visit the SF Maker Faire, which was a lot of fun and a needed break, and was also inspiring on a tinkering / creating / inventing-weird-stuff level, which of course is a perfect thing to get me into Zae’s world.

Zae’s world, as it happens, is an interesting place to visit. Check out some of the other Pathfinder Tales novels while I polish this one up. I’m looking forward to sharing more of her story with you!

Of the Essence is In the Wild!

Twitter Stream Sharing

Quills and her story are now out in the world! Ebook and audio book are now live, with hardcover and trade paperback to come.

I spent my book birthday at a casual writing day with a few friends and my beloved writing partner, Steve Bornstein, who came out from Austin for a visit. Steve and I have been writing together for ten years now — we originally met while playing on a text-based roleplaying environment called Twisted Kingdoms, which was also where the first incarnation of Quills was born.

I’ve got Pathfinder edits due in a month (more on that in another post!) and a short story due in August, and I’ve got two novels in my editing queue (a normal workload for a freelancer), but I took time out from all of that to spend Quills’ Day penning the opening lines of her sequel.

I’ve listened to the sample teaser of the audiobook, and it’s amazing. There was actual out-loud squeeing.

Where can you get it?

Directly from the Onder Librum store

or from Amazon or Barnes and Noble or other fine retailers.

Onder Radio

Have you checked out Onder Radio, the first podcast from Onder Librum (aka the Ed Greenwood Group)? In the first episode, Ed Greenwood gives a lovely shout-out to my debut novel, Of the Essence, which will be out at the end of April. (This month! Eee.)

Ed says:

Mysterious and dark, it brings more than a few daemons to VERY vivid life…and explores a lot of England, too. It’s by Gabrielle Harbowy, a very talented writer and author whom I’ve had the honor of working with on FOUR anthologies now.
[…] I think it really captures what it feels like for the daemons who live among us and are happy to live among us — or at least, are happy to live on earth. And how cruel daemons can be with each other, and what happens when daemons start putting pressure on each other.
It’s a deliciously dark book.
Thank you, Ed!    🙂

Presenting Quills [Cover Reveal!]

Cover Reveal: OF THE ESSENCE at the Onder Librum website.

Meet Quills: she’s a daemon with an affinity for ink, and her medium is magical tattoos.

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When a powerful daemon is killed on modern-day Earth, all signs point to his nemesis, a daemon named Tehru. But Tehru knows that at least one other daemon has access to her unique power: Quills, who takes life essence in payment for her work. Now the murdered daemon’s followers are coming after Tehru for retribution. Quills has five days to find the murderer and clear Tehru’s name. If she doesn’t succeed in time, Quills will be the one who takes the fall.

My debut novel will be on sale April 30, 2016. It will be in audio (narrated by the amazing Angela Dawe!), hardcover, trade paperback, and ebook formats. Some of those formats may take longer than others to propagate on Amazon and the Onder Librum site, so please be patient. I think the audio CD is the only thing up on Amazon for preorder at this point, but please keep checking back.

The art is by Hellmaw Art Director Eric Belisle. I saw this portrait and knew right away that this daemon had a story I could tell. I’m excited to be the first Hellmaw author with a Daemon of Color, the first story to take place outside of North America, and the first Hellmaw novel told through the daemon’s first person point of view.

Margin Note of the Day

The margin notes I leave for myself are more blunt and less kind than the margin notes I leave for other people, but I do still try to be nice to myself. Today’s example:

Regarding the protagonist’s name: Her dad changed his own name legally the moment he was eighteen, against his parents’ wishes. Is that a person who would give his child a blatantly odd first name? Without a good reason, it doesn’t feel authentic. Supply good reason, or it’s back to the baby name books.

 

April is the Busiest Month…

In April, there will be three new projects coming out with my name attached.

Women in Practical Armor, my latest anthology collaboration with Ed Greenwood, will be launching after last summer’s spectacular Kickstarter campaign. There will be a (pre-April) party for contributors and backers at Norwescon at the end of March.

C is for Chimera, an anthology edited by Rhonda Parrish, contains a story of mine. My letter was H. The story is short and sweet, and I’m rather fond of it. I hope you will be, too.

Hellmaw: Of the Essence, my debut novel, will be out on April 30. I don’t know which formats will be available on that date, or from which retailers, but the book will ultimately be out in hardcover, trade paperback, ebook, and audio book.

I am hoping to plan a local launch party once I receive more information about physical copies. I’ll also spam the internet (okay, not really) with the Amazon pre-order link when it goes live.

In the meantime, I’m reading for Apex and Dragon Moon, I’m proofreading for Lambda Literary, and I’m working on my Work in Progress, a contemporary YA novel with the working title Hearts Are Jerks.

Next Up…

My next novel-in-progress (working title: Hearts Are Jerks) is a big departure for me. It’s Contemporary Young Adult, which means the main characters are in high school and there are no science-fictional or fantastical elements. It’s kind of a non-traditional romance, in that it has LGBT main characters, gender fluidity, and positive, realistic portrayals of polyamory.

It’s the first novel I’m writing that isn’t a tie-in to someone else’s world, and that isn’t already under contract. I’m trying to resist the urge to worry about what I’m going to do with it until it’s finished, but of course…worry is the one thing writers don’t procrastinate on, right?

Because this novel brings up a lot of questions for me.

Do I publish it under the same name I use for my genre work? Do I use a variant, like adding my middle initial or something? Do I use a new name entirely?

Do I try to use this novel to get an agent? Is this the sort of novel a mainstream publisher would even want? If I get an agent for this book, would they want to represent my future works in other genres too? Would I want to seek out someone who would want that, or would I rather have an agent who wouldn’t want that? Who do I hire to edit this for me before I start submitting it around? Who do I ask to critique it for me before I’m ready for an editor?

What’s ironic about this: when I’m wearing my editor hat, these are questions I help other people answer ALL THE TIME. Seriously, all the time. Which is to say, I do know the answers because I know how I advise other people, and how I would advise them if they were me.

I’d use a variant name, I’d seek an agent who represents writers who write books like this, I’d refer this colleague to edit and these two to critique/beta-read and ask these three if they’d be available to give me a blurb. I’d send it here, here, and here for review, and submit it to these three awards.

What’s amusing about this: I know all this stuff. But then I feel like I don’t, all of a sudden. The tables turn when it’s my manuscript in the spotlight. I have become every writer I’ve ever worked with.

What’s fascinating about this: everything I go through as a writer makes me more sensitive as an editor.

Hellmaw Logo

I Finished My Novel!

I debated over titles for this post, but I think this is the biggest thing I have to say. I finished my novel!

If you’re counting, that means I’ve turned in TWO original written-by-me novels this year. I’m still a little stunned, honestly. This isn’t something I would have thought I could do, but I did it and I even held on to my sanity and health. (Mostly.) It meant canceling on all but one convention for 2015 and missing Thanksgiving with my family, but I did it. Hopefully this will make a lot of travel opportunities happen over the next two years. Including visits to my family.

The Hellmaw setting is still under a pretty tight Non Disclosure Agreement, so there isn’t much I can tell you about the book or the setting. However, I’ll tell you what I can:

  • My book title is OF THE ESSENCE.
  • It is a standalone novel. That is, there are no sequels planned at this time. It’s open-ended enough to entertain a sequel in the future, if it does well and readers clamor for more, but I had so many plates in the air already that I only wanted to commit to one book at a time.
  • It has chapters, but not chapter titles. Just chapter numbers.
  • It has characters.
  • It passes the Bechdel test.
  • It does not contain sexual violence.
  • If it were a movie, it would probably be rated R.
  • It will be available in May, 2016.
  • The moment it’s up on Goodreads and Amazon, I will let you know.
  • I’m really, really proud of it, and I hope everyone else enjoys it too. 🙂

 

 

Process: Writing the Actiony Stuff

I complained to Matt, my husband, that I’m not confident about writing the big action sequences. I can do them, I’m not saying I can’t, but they’re not my comfort zone.

He said, “You’re going to have to get used to them. You’ll probably be writing a lot of them. If only there was a macro you could use as a template and just fill it in.”

I said, “Like Pokemon? ‘$name attacks $name2 using $skill. It’s $adjective effective!’ except not like that?”

He said, “No. Exactly like that. Block it out like that, and then embellish around it until it’s a scene.”

Blocking is a theater term for staging out where characters go and when.

I did it. Just the bare bones at first. I made the decisions, keeping it simple.

A shoots B.
C taunts B.
B attacks C.
D, unnoticed, moves to get a clear shot at C.

Then I turned those bones into a fleshed-out sequence, which was much less intimidating once I knew the mechanics and could see it in my head.

It works. I was self-conscious about complaining, but it spawned conversation and a good, do-able solution.

Also, my husband is smart. 🙂